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Currently in its forty-ninth
season, the American Brass Quintet has been internationally recognized as one of
the premiere chamber music ensembles of our time. The ABQ's rich history
includes performances in Europe, Central and South America, the Middle East,
Asia, Australia and all fifty of the United States; a discography of over fifty
recordings; the premieres of over one-hundred contemporary brass works, and in
the last decade, mini-residencies that have brought the ABQ's chamber music
expertise to countless young musicians and institutions worldwide. ABQ
commissions by Samuel Adler, Bruce Adolphe, Daniel Asia, Jan Bach, Robert
Beaser, William Bolcom, Elliott Carter, Jacob Druckman, Eric Ewazen, Anthony
Plog, Huang Ruo, Steven Sacco, David Sampson, Gunther Schuller, William Schuman,
Ralph Shapey, Melinda Wagner, and Charles Whittenberg, are considered among the
most significant contributions to the modern brass quintet repertoire. In the
last two seasons, the ABQ has premiered new works by Robert Dennis, Robert
Maggio, Paul Moravec, David Sampson, Adam Schoenberg, and Joan Tower, and
released three new recordings—In Gabrieli’s Day (the music of 16th
century Venice), Cheer Boys Cheer (volume two of civil war brass music of
the 26th N.C. Regimental Band), and Jewels (ABQ concert favorites). Last
season the ABQ premiered and toured 2 Elements for brass quintet and
piano by Grammy-winning composer-pianist Billy Childs commissioned for the ABQ
by a grant from the New York State Music Fund. In the summer of 2008, a new
quintet by Gordon Beeferman will be premiered at the Aspen Music Festival. This
work is the first commission supported by a multi-year grant from the Jerome
Foundation for new brass quintets from emerging composers. Future premieres
supported by this program include new works by Schafer Mahoney and Trevor
Gureckis.
Trumpeter Raymond Mase has been a member of the American Brass Quintet since 1973 and is responsible for many of the ABQ’s performance editions and recordings of 16th-, 17th-, and 19th-century brass music. He is also a founding member of the Summit Brass and principal trumpeter of the New York City Ballet Orchestra. Mr. Mase can be heard on well over one hundred recordings, including as soloist on the Albany, Deutsche Grammophon, Summit, Koch, Cambria, Troy, MHS, and Furious Artisans labels. In addition to his performing and teaching, Mr. Mase is Chair of the Brass Department at The Juilliard School, a member of the Aspen Music School faculty,and has served on the Board of Directors of Chamber Music America. Trumpeter Kevin Cobb became a member of the American Brass Quintet in the fall of 1998. Prior to his joining the ABQ, he had been a member of the Manhattan Brass Quintet and Meridian Arts Ensemble. Currently Mr. Cobb serves on the faculties of The Juilliard School, Mason Gross School of the Arts at Rutgers University, SUNY Stony Brook, the Hartt School, and the Aspen Music School. He performs regularly with such organizations as the Metropolitan Opera Orchestra, New York Philharmonic, New York City Ballet Orchestra, Speculum Musicae, and is co-principal trumpeter of the Aspen Festival Orchestra. His first solo CD entitled One features an all-American program of unaccompanied trumpet solos on the Summit Label. David Wakefield, horn David Wakefield, horn, joined the American Brass Quintet in 1976 while he was a doctoral student at The Juilliard School. A member of the Aspen Music School faculty since 1976 and the Juilliard School faculty since 1987, he also serves as Associate Dean for Performance Activities at The Juilliard School. Principal horn of the Little Orchestra Society, Mr. Wakefield has performed with the New York, Vienna, and Brooklyn Philharmonics, Houston Symphony, and regularly with the Orchestra of St. Luke's, the New York City Opera, and the Metropolitan Opera Orchestra. He has premiered over 250 new works and worked closely with such composers as Milton Babbitt, Luciano Berio, Elliott Carter, John Corigliano, Jacob Druckman, Eric Ewazen, George Tsontakis, and Charles Wuorinen. Michael Powell, trombone Michael Powell has been tenor trombonist of the American Brass Quintet since 1983. He also performs and records regularly with the Orchestra of St. Luke's, Orpheus Chamber Orchestra, Little Orchestra Society, Zankel Band, Twentieth Century Classics Ensemble, and Aspen Festival Orchestra. Mr. Powell has performed as soloist with the Orchestra of St. Luke's, Kansas City Philharmonic, and at the Aspen and New Hampshire Music Festivals. He has taught master classes in trombone and chamber music worldwide. Mr. Powell commissioned, premiered and recorded the Sonata for Trombone and Piano by Eric Ewazen, with the composer as pianist. He is on the faculties of The Juilliard School, Mason Gross School of the Arts at Rutgers University, SUNY Stony Brook, and the Aspen Music School. John D. Rojak, bass trombone American Brass Quintet member since1991, John Rojak is also bass trombonist with the Orchestra of St. Luke’s and New York Pops, and has performed and recorded with the New York Philharmonic and Orpheus. He served as bass trombonist for the sixteen-year run of Les Miserables on Broadway and was the first bass trombonist to be artist-in-residence at Quad City Arts (Iowa). Recent solo recordings include The Romantic Bass Trombone on MMC Records, Eric Ewazen’s Rhapsody for Bass Trombone and Strings for Albany Records, and Walter Ross’ Trombone Concerto No. 2 with the New York Chamber Symphony. He is on the faculties of The Juilliard School, Mason Gross School of the Arts at Rutgers University, Bard College Conservatory of Music, and the Aspen Music School. |
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